More than landscape (2)

Slovenian countryside, hay-racks, the artist Vida Fakin

Travelling through the countryside of Slovenia, through the intimate patchwork of fields and enclosures, attention is repeatedly drawn to the hay-racks that stand sometimes isolated in pasture and sometimes clustered around  farmsteads.

vida_monografija_cover_500These hay racks embody a very direct and very local chain from soil to plant to beast to field. Hay is cut from meadows and grassy places, collected and hung over horizontal wooden poles to dry, then fed to farm animals when the natural pasture is out of season.

The hay-racks take on a range of forms, from two simple concrete posts spanned by a corrugated iron roofing strip to two-storied structures having the wooden poles along the side, rooms above, partly open at least on one side, and a place below for farm machinery (images below).

So it was good fortune to meet the daughter (Mojca Suklje)  and granddaughter (Helena Suklje) of the artist Vida Fakin whose interests, among many, were the ikons of the Slovenia countryside and in particular its hay-racks and scarecrows set against a backdrop of mountain pasture and rocky hills.

And it was even better when Mojca and Helena agreed to provide material about Vida and her art for the Living Field web site.

We will begin with the notes for an exhibition of Vida Fakin’s works held in 2015 at the Josef Stefan Institute Ljubljana.

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The black and white images above were taken by the editor in the Bohinj area of Slovenia, around Studor and on higher pasture.

The image at the top of the page is the front cover of Monografija / Vida Fakin – Ljubljana: Enotnost 1994.

Living Field page on Vida Fakin. Also More than landscape and Hay-racks.

Dust bowl ballads

“On the 14th day of April / Of 1935, there struck / The worst of dust storms / That ever filled the sky. “

Reports suggesting the infamous 1930s north american dust bowl could happen again have been circulating in recent years (links below).  Recent analysis suggests that it could be worse this time due to higher temperatures! … on which more to follow.

The singer Woody Guthrie had first hand experience of the dust and its destruction of the means to produce food and earn a living.

Science argued then that the dust bowl was of man’s own making. True to form, the record label Folkways did not shy away from the environmental and political.

Dust bowl ballads by Woody Guthrie

lf_noim_dbb_cvr_750Woody Guthrie wrote a set of songs   on life in the US dust bowl. His performances  were published by Folkways Records as a vinyl long-playing record (LP).

The record cover (right, scanned from editor’s own copy) is a photograph of a group of three people, a man and two children, walking past a shack and posts that are being buried in dust. Not credited on the LP, but by Arthur Rothstein, taken 1936, it is one of many images commissioned to record the story of the dust bowl.

Guthrie and Folkways included a paper insert of comments by the performer, the words of the songs, some further images and an extract from a book The Story of Plants by John Asch published in 1948.

Woody Guthrie’s notes were dated ‘later days of May, 1950’.  He writes: “I just beat my way from NYC to L.A. and then back home again to Coney Island.”

“I rolled a ways with experts of every kind. I stood a while, I rode a while, I talked a mite with young and old weather birds, about too much or not enough water, too much wind or not enough wind, too much mud or not enough mud, too much work or not enough work, too much money or not enough money, too much of everything and not enough of nothing. ”

“I heard folks talk and cry about the dust storms all out across our 16 middlewest states. I saw that lost gone look on their faces when they told me the government didn’t follow the plan of FDR and so our land is still a dustbowl hit by dust-storms and the duststorms are getting higher  and wilder and meaner, and the hearts of the people are sickly worried.

“No job, low pay, high prices, higher taxes, bum houses, slummy houses. Great diseases are running and great sores are spreading down across our map and the duststorms and the cyclone and the dirty winds and the twisters ride high and wide, low across our whole land. Government experts tell me these dusters will get a lot worse.”

“The old dustbowl is still there, and that high dirt-wind is still there. the government didn’t fix that and the Congress couldn’t put a stop to it. Nobody tried very hard.”

[FDR is Franklin D Roosevelt who not long into his presidency initiated a plan for rehabilitation of the dust bowl lands.]

Notes on soil erosion by John Asch

The insert had this extract on soil erosion from a book The Story of Plants by John  Asch published 1948.lf_noim_dbb_schtx_750

Sources, references, links

lf_noim_dbb_nsrt_500Dust Bowl Ballads by Woody Guthrie was originally published by Folkways Records, Album No FH5212, 1964. Reissued as a CD and download, and available from Smithsonian Folkways http://www.folkways.si.edu.

John Asch. 1948. The story of plants. Illustrated by Tabea Hofmann. Publisher: Putnam’s Sons, 407 pages or thereabouts.

Images reproduced here are scanned directly from an LP bought and owned by GS.

“My good gal sings the dust pneumonee blues / my good gal sings the dust pneumonee blues / she loves me cos she’s got the dust pneumonee too.” 

Further

Nature Conservancy (US based) article When the dust settled with images and slideshow of the dustbowl, opening with some of Woody Guthrie’s best lines.

The Dust Bowl – a film by Ken Burns: highly informative  web site – perhaps begin with  Photo gallery and Legacy.

Steinbeck J. 1939. The grapes of wrath. (A novel about a family’s experiences and losses in the dust bowl.

Bennett HH, Chapline WR. 1928. Soil erosion a national menace. Circular No. 33, United States Department of Agriculture.  [A technical article warning on erosion in the USA before the main dust bowl years. Available online as a downloadable pdf: search ‘Bennett’ + ‘soil erosion’ + ‘1928’]

Hugh Hammond Bennett and the Creation of the  Soil Erosion Service at the USDA Natural Resources Conservation Service.

Examples of recent reports of a new dust bowl

Smithsonion.com: Are we headed for another dust bowl?

National Geographic: Parched: a new dust bowl forms in the heartland

Yale Climate Connections: Avoiding a second dust bowl across the UK.

Author/contact: geoff.squire@hutton.ac.uk

Biodiversity Day 9 January Dundee Science Centre

The Living Field took part in a Biodiversity theme day on Saturday 9 January 2016 at Dundee Science Centre.

Aisha Schofield of the Centre wrote “This event will be part of Dundee Science Centre’s monthly programme of public engagement in 2016, aiming to encourage curiosity, confidence, and engagement with science for the whole community by providing a platform for scientists and other experts to communicate and promote their work with the public.”

The main topics presented by the Hutton revolved around the importance of biodiversity to cropland ecosystems.

Dundee Science Centre 9 January 1100 to 1500 (11am to 3 pm).

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Restored High Mill at Verdant Works

The High Mill, derelict for some decades, has been restored at Verdant Works and is open to the public as part of the Verdant Works Museum, Dundee. This magnificent restoration reveals the skills in engineering, architecture and construction that arose with the industrial revolution. The restored ironwork is a superb sight while the roof timbers reflect the colour of jute fibre. See for yourself.

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The name Verdant arises from the flax fields that used to grow in the area of the Mill, yet the flax disappeared many years ago. The museum tells of the changes in the textile industry from its beginning as a distributed home-based craft, cultivating flax and making yarn and linen cloth.

Local cultivation gave way to imported raw material. Then local production gave way to steam power and to industrial manufacture. Even this was out-competed in the 1800s as the industry turned to jute grown in India and Bangladesh. The main museum presents the story of jute.

The spaces created at High Mill are intended for exhibitions and education ….  but they make you wonder, both at the engineering skills that created the building and the industry it served, and the often appalling conditions and treatment of the people who worked there.

Further

Background to the restoration and intended uses highmillproject.com/project

Before the transformation www.buildingsatrisk.org.uk/ref_no_3738

Dundee stv news update with photographs, drawings and images dundee/stv/tv

Visiting the Mill: Verdant Works Dundee

The Living Field’s web pages on Fibres, part of the 5000 Years – Plants project –  describe local and global production of fibre plants, including flax and jute.

Among tree ferns and mountain ash – the William Ricketts Sanctuary

William Ricketts began in 1934 to create his Sanctuary in a hilly region of the Dandenong Ranges in Victoria, Australia. He fused  fired-clay images, mainly of Aboriginal people, with the lie of slope and rock on a hillside vegetated with trees and tree-ferns.  He believed that people could live together and with nature, and that destruction and exploitation were not inevitable.

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The images are now shaded by layers of vegetation. The upper canopy is mostly the leaf and branch of australian mountain ash,  Eucalyptus regnans,  tall and straight, said to be the tallest of the Angiosperms (non-conifers), and so very different from our own mountain ash or rowan.  Below them are a few medium sized trees and then the tree ferns, luxuriant above the paths and sculptures. (A part of a tree fern is included in each of the sets of images on this page.)

At the base are herbs, ferns and mosses, growing close to and in some instances on the sculptures. This proximity gives the site an organic feel, the images becoming part of the scene, aided by the artist taking casts of the rocks so that he could match the base of the clay precisely with its intended location.

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The clay images come alive in their setting. Many are part covered in a green algal film that must change with the seasons. Water droplets lie on them. Rivulets of water flow over them. Insects and fallen leaves rest on them and they change as the gums and tree ferns filter the light. There are  touches of William Blake in the way figures swirl and flow into each other.

Ricketts was born in 1898, a little more than a century after the main phase of European colonisation began. He spent many years living with Aboriginal Australians, learning their approach to life and how they managed vegetation and land. He also created works for natural locations farther north, in central Australia.

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He died in 1993, aged 94. He lives through the Sanctuary, his various other works and a few writings, but most of all through the memories of people who have seen his works in their intended setting.

The Sanctuary is managed by Parks Victoria. As with all other images on the Living Field site, images of William Ricketts’ works here are displayed ‘not for profit’ (taken October 2015).

Sources

Parks Victoria State Government web page on the William Ricketts Sanctuary (with access to a downloadable PDF guide)

Brady P. 1995. Whitefella Dreaming: the authorised biography of William Ricketts. Published by Preferred Image.

The Wikipedia entry gives further references.

Tree fern overhead at the William Ricketts Sanctuary (Squire)
Tree fern overhead at the William Ricketts Sanctuary (Squire)

Food production from the first crops to the present day

Sponsored by Dunkeld and Birnam Historical Society and the Dunkeld and Birnam Community Growing Group (The Field) at Birnam Arts, 23 November 2015, 7.30

A survey of crops and croplands – from domestication 10,000 years ago, through the arrival here of settled agriculture in the late stone age; through the developments of bronze and iron to the ill years of the 1600s; through the major improvements in the 1700s that gave hope; through the technology of the 1900s that eventually removed the threat of famine; to the subsequent choice between sustainability and exploitation, and society choosing the latter; to the present state of soil degradation and reliance on imports for food security; and to a sustainable future, perhaps … with some tales along the way of life and farming when horse was the quickest way along the A9.


More …

Settled agriculture is a recent experiment in human history. Domestication of crops from wild plants, as recently as 10,000 years ago, produced the wheat, barley, maize and rice that we know and eat today. Maize and potato were domesticated in the Americas and could not cross the Atlantic at that time and rice was too far away in Asia, but wheat, barley and oat came by land and sea across Europe to the north Atlantic seaboard where around 5000 years ago, they found a welcoming soil and a mild climate.

The grain crops enabled a settled society. In good years, there was food to last the winter, giving time to think and make things. Stability allowed people to learn the skill and enterprise to trade in the new technologies of bronze and iron that came across Europe centuries later. Waves of migration, Celts and Romans included, caused no great change to the basic type of grain and stock-farming of the region. A neolithic farmer, teleported here for the day, would recognise our crops and farm animals (except neeps and tatties which weren’t here in their day).

Yet time, ignorance and oppression took their toll: centuries of misuse, the principles of soil fertility unappreciated or ignored. Soils exhausted and yields dropping to subsistence levels. Agriculture unable to cope with the run of poor weather in the late 1600s? Starvation and famine.

Then came the age of improvement after 1700 – lime, fertiliser, turnips and other tuber crops, the levelling of the rigs, removal of stones, drainage, new machines for cultivation, sowing and harvest, the global search for guano, the coordinated management of crop and stock – benefits that allowed outputs to rise in the 1700s, but not yet to the point where famine was memory. That came later. It was not until the technological developments of the 1900s – industrially made and mined fertiliser, pesticides and advanced genetic types – that the threat of hunger was finally dispelled from north-west Europe.

But these same technologies opened the way for excess and instability. They encouraged the breaking of two established links that had held cropped agriculture since it began here.

The first was that grain and other crops no longer relied on grazing land or grass crops for manure. Grain could be grown more frequently, on more area and with more inputs – eventually encouraging a phase of intensification after 1950 that increased yield but in many places to the detriment of soil and the wider environment, and now with a diminishing return from inputs.

The second was that local production became separated from local consumption. The increasing wealth and global trade of the 1900s – the legacy of the industrial revolution – meant that people no longer relied for their subsistence on what was grown in local fields. This second decoupling became so great that by the 1990s, all cereal carbohydrate eaten in Scotland, except oat, was grown elsewhere and imported.

There are some big questions therefore. Will intensification continue to degrade soils and even start to drive down output? And is our food supply now too vulnerable to external influence – disruption by global terrorism, variation in world cereal harvests, future phosphate wars and volcanic eruption?

So what of the future! Yields are still high. Agriculture is diverse and diversifying in its margins. But threats to soil and food security will increase and need to be tackled. Technology alone will not solve the problems.

Geoff Squire

James Hutton Institute, Dundee UK

The speaker illustrated his talk with some ancient cereals and a bag of grain, all grown in the Living Field garden.

The quotations from Andrew Wight’s journals from his travels by horse are now available free online:

Wight, A. 1778-1784. Present State of Husbandry in Scotland. Extracted from Reports made to the Commissioners of the Annexed Estates, and published by their authority. Edinburgh: William Creesh. Vol I, Vol II, Vol III Part I, Vol III Part II, Vol IV part II, Volume IV Part II. All available online via Google Books.

His notes on bere, oat and flax in the region of Dunkeld and Birnam will appear in a later article on this web site. Any further enquiries: geoff.squire@hutton.ac.uk

The Tay at Dunkeld looking East, March 2015 (squire / living field)
The Tay at Dunkeld looking East, March 2015 (squire / living field)