Bere shortbread

Ingredients

10 oz self-raising lf_brbsc_750_gsflour ( not plain)

1.5 oz dried semolina

3.5 oz bere barley flour

8 oz butter

5 oz castor sugar

and a pinch of salt.

I make shortbread biscuits regularly with my 3 year old granddaughter Ellie, who loves making a mess and  ‘helps’ me.

Shortbread biscuits can be a bit dense so I always use self-raising flour (or a mixture of SR and plain flour). I usually add semolina to give a slight crunchiness to the biscuit. However, I had only a small amount in the bottom of the packet. So, I substituted bere barley for the semolina.

The resulting dough was too dry and so extra milk (or buttermilk to be more traditional) was added – about 2 tablespoons – so the dough could be rolled easily without it breaking up.

What to do

Preheat oven to 150 C or gas mark 2. Melt the butter or soften in the oven for a few minutes then cream the butter and sugar together ( use a hand held electric whisk) until the mixture is light and fluffy. Add all the dry ingredients, then mix again. Add milk to make the dough stick together.

Roll out the dough on a floured surface and then use cutters to make the biscuits into rounds or other shapes. Transfer to a greased baking tray or use baking paper and make small pricks in the biscuits using a fork.

Bake for 20 min then turn the trays around and bake for a further 20 minutes. Remove the biscuits when they are a light golden brown. This makes a good 40 biscuits or so, depending on the size of the cutter. Cool them (if you can) before eating!

Variations

Add a handful of dried cranberries or sultanas to the mixture before you roll it out. Little helpers love doing this, but often eat the fruit before it gets into the biscuit mixture!

Comments from the tasting panel

“Shortbread can lack body. The beremeal gives it serious character.”

“Good cohesive strength when wet  – doesn’t disintegrate between tea-mug and mouth.”

“A real biscuit – you can taste the bere.”

“Can’t stop eating them…”

Sources, links

Recipe by Grannie Kate

Beremeal from Barony Mills Orkney

Links to pages on this web site:

More baking with bere barley: Bere bannocks, Seeded oatcakes with bere meal

The bere line – further links and pages on the history and uses of bere barley

Landrace 1 – bere – for information on the Orkney bere landrace

Bere, bear, bair, beir, bygg – variation on the name in Old Scots

Shetland’s horizontal water mills

Corn mills in Shetland, Orkney and the Western Isles; the horizontal water driven mechanism; locally managed and owned; bere and oat;  the similarities of mills in in Europe and Asia.

“The praying machine of Thibet is, I believe, of similar construction.’ (Goudie, 1885-86)

Three small water mills, housed in stone huts, lie one below the other down a small waterway near Huxter in Shetland (HU 172572), west of Sandness and NW of Walls.

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They must have been some advance over the saddle quern, which was still in use when Gilbert Goudie investigated Shetland’s horizontal mills in the 1880s. The mills were of a time when each family or group grew its own bere barley and oat and then ground it to meal, to eat.

The mills are small stone buildings constructed along a waterway or burn. They were locally made and owned, sometimes by several families. Goudie cites Evershed (1874): ‘No portion of the material is purchased, except a single clamp of iron”. The millstones are sourced locally.

The water is channeled off the waterway above the mill along a stone-lined lode (visible in the images below) which enters the mill to turn a paddle wheel under the floor. The mills are called ‘horizontal’ because the force of water turns the paddles in a horizontal plane, rather than vertically as in the later water wheels of the type at Birsay in Orkney.

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The paddles drive a vertical  iron rod, fixed so it turns the upper of two millstones (up to 3 ft diameter) in the room above. After passing through the paddles, the water then runs out to rejoin the waterway and on to the next mill.

There’s no sign of corn crops in this area today – it is all grazing. Yields of corn are uneconomical now and people can import their bread, rice and pasta from other regions, as do most others in the Atlantic croplands.

But what did bere look like? The photograph below shows a bere landrace from Eday, Orkney,  grown in the Living Field garden in 2015.  Bere in Shetland in the 1800s would have looked much like this – very different from today’s two-row types, but not quite a six-row barley.

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But in the later 1800s, the people here probably grew mainly oat, as they did all over Scotland. But which oat – a landrace of the nutritious common oat Avena sativa or one of the black oat Avena strigosa?  Those concerned with the industrial archaeology of the late 1800s rarely noted the crops.

Easier than a saddle quern

The mills were reported by Goudie to grind a bushel an hour. Depending on conversion factors, a bushel (volume) is equal to about 22 kg of bere – which is equivalent to about 15 kitchen-sized bags of flour or meal, though the actual yield of pure meal would be less because of all the chaff (husks, awns) that would have to be be discarded. So not a bad yield for an hour’s work!

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Horizontal mills in history

Horizontal water mills had been in use for many hundreds of years when Goudie wrote his account. Both Goudy (1885-86) and Wilson (1960) point to the almost global occurrence of these machines, stretching from eastern Europe and Asia to Shetland and the Faroe Islands. Wilson illustrates characteristic types of mill wheel – Shetland, Irish, Alpine, Israel, Balkan – the design transferred in antiquity across the land masses of Europe and Asia, evidence of the connectedness of the northern islands to the wider world.

So how and when did they get to Shetland? These authors note that despite the similarity between mills in Shetland, the Faroe Islands and Norway, suggesting a common ancestry (9th C?), there is no evidence to confirm the direction of travel. Goudie also points to similar constructions in eastern Europe and Asia, and concludes:

“Almost obliterated as it is elsewhere, it is here still to be found in extraordinary numbers” and “… almost in Shetland only, that we find it in active operation …”.

One factor that hastened the loss of these mills was the (not untypical) action of a landowner, who constructed his own big mill, and then dissuaded families to abandon their small enterprises and pay for the use of his.

Certainly, the mills work no longer to grind meal, except as archaeological curiosities. The last one at Dounby in Orkney was taken over by The Office of Works in 1932.

But what a location! Imagine harvesting and milling bere or oat here on a fine day: sheep on coastal grazing, the Island of Papa Stour over the Bay and Vinland over an unbroken stretch of ocean to the west.

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Sources, references

Main sources are Goudie and Wilson – both give diagrams of the mechanism

Goudie, Gilbert. 1885-1886. On the horizontal water mills of Shetland. Proceedings of the Society of Antiquaries of Scotland 20, 257-97. Available online via the Archaeology Data Service: http://archaeologydataservice.ac.uk/archives/view/psas/volumes.cfm then click on Volume 20 and scroll down to a PDF of the article.

Wilson, Paul N. 1960. Watermills with horizontal wheel. Society for the Protection of Ancient Buildings (London). Titus Wilson & Son ltd, Kendal. Available online: try http://www.fastonline.org/CD3WD_40/JF/430/22-526.pdf

lf_5_hxtr_thrftclffs_gk_550Further diagrams and general information

Cruden SH. 1948. The horizontal water-mill at Dounby, on the mainland of Orkney. Search: Archaeology Data Service / Archives (shows photograph of the Huxter Mills).

http://sihs.co.uk/features-waterwheel.htm

https://canmore.org.uk/site/69376/huxter-norse-mill

Another mill of similar type at Eshaness
http://www.heard.shetland.co.uk/Projects/Project8.htm

Fenton A. 1978. The Northern Isles: Orkney and Shetland. New edition 1997.

Article and images, taken 26 June 2016: Squire / Living Field; except where stated by gk images.

[Last update 15 July 2016]

Macoto Murayama and T rep

T rep. The short form given by our field survey teams to white clover Trifolium repens. Still a common plant of pasture and waysides, so common that the intricacies of its structure and lf_noim_macoto1_gki1_350function generally go unnoticed.

Yet the mathematical artworks by Macoto Murayama shown in July at Dundee University reveal these intricacies in astonishing detail (image right).

The exhibition was held by courtesy of Frantic Gallery, Tokyo.

The Living Field’s correspondent gk-images sent some cellphone snaps from the exhibition. 

The introduction gives some detail of the artist and how he transfers the complex flowering heads and flowers of his botanical subjects to two-dimentional images.

“Macoto Murayama is a Japanese artist who cultivates ‘inorganic flora’. His extraordinary images are created after minutely dissecting real flowers and studying [them] under a microscope. His lf_noim_mctmryt_gki3_350drawings are then modelled in 3D imaging software then rendered into 2D compositions on photoshop before being printed on a large scale.”

Born in Kanagawa, Japan in 1984 he is now a researcher at Institute of Advanced Media and Art and Sciences, Tokyo.

The photographs, with reflections of lights and the opposite wall are of white clover (top) and spanish broom (lower).

Sources, links

Dundee University – Macoto Murayama: Growth and Form Exhibition. 14 May to 20 August 2016. Lamb Gallery, Tower Building, Dundee. Click the link for opening times.

Macoto Murayama at Frantic gallery: http://frantic.jp/en/artist/artist-murayama.html

Frantic Gallery Tokyo. Looks like some great exhibitions, for example the Universe and other Oddities by Zen Tainaka.

On Growth and form, a classic treatise by D’Arcy Thompson.  Web site http://www.darcythompson.org/about.html

Images Thanks to gk-images for the photographs shown here.

Ps Back to T. rep. There would be, in the 1940s, five or six legumes growing as ‘weeds’ in cornfields but they have since been ousted by nitrogen fertiliser and chemical herbicide. Trifolium repens is one of the the last remaining of these nitrogen fixers still found, but then rarely, in arable fields.

 

Fibres in design

West Ward Works, in Dundee, previously used for printing books and magazines, was the site of the first Dundee Design Festival, 25-28 May 2016. The Works is now a disused factory, vast space, tubes, wiring and old instructions on the walls.

The Works was one of those many places in Dundee and its surrounds that processed masses of natural product – flax and jute are other examples – usually extracted or grown elsewhere, but given greater value through manufacture and sale.

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Silk, husk and glass

Several of the exhibits used natural fibre or other natural products.  ‘Firth of Tay’ (shown among the images above) is a length of handwoven silk by Cally Booker.  The notes say ‘Each block of pattern corresponds to (the) population profile in a local city, village or town’. It looks as if the patterns are based on a set of statistical distributions, e.g. perhaps number of people by age.  (The subtlety of the colours is not well reproduced in the cellphone snaps above – her web site shows the original, link below).

Elsewhere, Barley waste from local brewing has been compressed and formed into a piece of furniture (a bar) by Beer52 with Design in Action and Aymeric Renoud.

And – though not using natural fibres in this invention – the firm Scot & Fyfe, establishd 1864 in Tayport to manufacture linen from flax, offered Alphashield – ‘A seamless glass textile ‘sock’ … fed into defective pipes deep underground and set in place with resin to repair the damage and create a new strong pipeline’. (But how do they get it to stick to the sides of the pipe?)

Further

Dundee Design Festival 2016 introduction and programme

Canmore report headed Dundee, Guthrie Street, West Ward Works

DC Thompson: West Ward Works to host first Dundee Design Festival

UNESCO Creative Cities Network

Exhibitors referred to above: Cally Booker, Aymeric RenoudScot & Fyfe.

On this site: Living Field web pages on Fibres, and Fiberoptic 1, 2 , 3 and 4.

Contact: geoff.squire@hutton.ac.uk

It was slavery days …

This weekend coming,  3 to 5 June 2016, sees the Haal Festival of folk music at Portsoy, Banffshire, at which among many events the singer Jimmy McBeath will be remembered. He worked as a farm labourer at that time before WW1, when the country depended on local production and the conditions were bad for farming labourers.

lf_noim_jmcbtpc_750“But it was slavery days all the same. You workit the whole six months before you got money at all ” This quote is among the cover notes of a Topic Records LP of Jimmy McBeath’s songs. And it’s the songs rather than the privation that people today remember of Jimmy McBeath and other singers and musicians of his time.  Much of what we know of the traditional music of the place comes from a few people like him and a few recordings like this. You might think it would all have gone with the memories, but no, the songs are still sung today in pubs and clubs and festivals…  but mostly without the slavery.

Ps Thirty years later, at the closing stages of WW2, agriculture was still unable to feed people adequately, and still treated farm workers badly, but 20 years on from that, in the mid-1960s, food security was assured. Yet within a decade, the populace rejected local production in favour of cheaper or more exotic imports of bread, rice, pasta and maize.

…. it’s the songs that matter … there a few other links to the past.

Further

Article in the Scotsman byJim Gilchrist Portsoy’s Haal festival remembers folk legend Jimmy MacBeath

Bothyfolk web site page on Jimmy McBeath

Haal Festival 3-5 June 2016 at The Salmon Bothy, Portsoy Banffshire

The image is the cover of Wild Rover no more – Jimmy McBeath, LP (vinyl) by Topic Records 12T173, 1967 (author’s collection). Check the Topic website www.topicrecords.co.uk and  search ‘Jimmy McBeath’ for digital releases.

Eaten from inside out

Plant power day (also known as the fascination of plants day!) is an annual joint venture between the University of Dundee and the James Hutton Institute which aims to engage members of the public and encourage exploration into the fascinating world of plant biology!

Held at the University Botanic Gardens, 17 May 2016, on what turned out to be quite the sunny Saturday, the event had a range of activities centred on plant biology with activities ranging from: DNA extraction from raspberries, exploring the plant-soil biome, an adventure trail which took the public on an educational journey through the wide diversity of plants housed at the Gardens and, our personal favourite, an exhibition of plant insect pests.

Our stall, as you can probably guess, was based on the insect pests of a range of economically and agriculturally important plants and the natural predators of these insects which form a diverse biological system. Primarily consisting of many wonderfully coloured – pink, green, purple, black and brown – aphids (all confusingly referred to collectively by visitors as ‘greenfly’) and the vine weevil, alongside the natural predators of aphids, including the ladybird (the overall star of the show) and parasitoid wasps (a hit with children who were fascinated by their lifecycle, the oviposition of an egg inside an aphid with the subsequent larvae eating the aphid from the inside out – imagine Alien 1979).

We used ‘hands on’ digital microscopes, Dinocapture devices, to allow the visitors, mainly the kids, but a few adults gave it a go as well, to explore the insects we had brought along and see what cannot be seen with the naked eye (there are a few pictures below to whet your appetite). We also supplied interesting plant and insect activity and fact sheets for the visitors to take away, the insect mini-factsheet and the factsheet on plant defence were winners with kids eager to take these to show and tell on Monday.

Overall there was a good attitude towards the event and some engaging questions about the work that goes on at the University and the JHI, we even provided impromptu pest-control advice to gardeners struggling with ‘greenfly’ infestation (diluted washing up liquid rubbed onto infested leaves/stems works well). To conclude – A good day was had by all!

Daniel Leybourne & Jenny Slater

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Images above show adults and nymphs of the different varieties of aphid on display (top left clockwise): the Rose-Grain aphid Metapolophium dhordum, the Bird-Cherry Oat aphid Rhopalosiphum padi, pea aphid Acrythosiphon pisum and a second pea aphid biotype (images taken at the James Hutton Institute).

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Lesley Harrison

Lesley Harrison – poems, projects, writing.

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The Tay Estuary Forum was doing its job in April of bringing people together from different backgrounds but with a shared interest in land, waterways and sea.  Artist Jean Duncan introduced poet and writer Lesley Harrison who had her own exhibit  on Mapping the Edge. 

Lesley kindly agreed to send some examples of her poems and writing for the Living Field web site ….. beginning with …..


Extracts from Auchmithie Calendar Twelve Haiku

January

winter comets.
our village is ice-bound,
the ground strewn with stars.

May

cod – saithe – ling
net and line
unraveled at high tide.


Poem Postcards
Birds of the North Sea postcard 1_1100

Birds of the North Sea. Lesley writes: These boards are part of the dune stabilisation east of the mouth of the Dichty. The boards have weathered beautifully – they are now lovely shades of silver, with patterns and sworls appearing that echo the flow patterns of the river through sand or waterweed. [See the links below to Making Space for water.]


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Lesley Harrison lives on the north-east coast of Scotland.  In her writing she explores how we locate ourselves inside our landscape; how residual layers of historical and cultural data, along with light, language, memory and/or our collective unconscious overlap and merge to form our sense of place.  Much of her poetry uses the east coast as case study.

Her pamphlet ‘Upstream’ (2013) was the outcome of Making Space for Water, an arts/science collaboration funded by Creative Scotland and Scottish Natural Heritage, investigating the hidden urban rivers of Dundee and Aberdeen.  The poems sequence ‘Beyond the Map’ (2012) explores our residual folk memory of Dundee’s 19th century whaling industry.

She is currently developing a collection which explores the poetics of the North Sea coast.

Links

Lesley’s web: Lesley Harrison poetry and auchmithiecalendar.wordpress.com

auchmithie_calendar

A pocket book of 12 drawings and haiku recording a year in the village. Drawings by Sarah Maclean.

To buy 12 Haiku and other works, see Lesley’s web site and mail her  at auchmithiecalendar@gmail.com

Making Space for Water makingspaceforwater.wordpress.com

Tay Estuary Forum

[last updates 2 June 2016; 31 May 2023 to add new links]