North Coast Visiting

North Coast Visitor Centre, Thurso Caithness. Museum, gallery and exhibitions: Pictish Stones, the botanist Robert Dick, the Flow Country, prehistory, crofting; Dounray. Superb local museum ….. and … the Northern Pilgrim’s Way, recreating the Skinnet Stone.

The North Coast Visitor Centre in Thurso opened in 2022, replacing Caithness Horizons which closed in 2019. The old Thurso Town Hall and Carnegie Library have been adapted for their new roles. Much more than a typical visitor centre, the NCVC displays stone carvings of global significance and wide-ranging museum exhibits and galleries, all housed in the centre of Thurso.

The Visitor Centre occupies several floors. The Gallery space (left) on the upper floor, is flooded with natural light. Other rooms held various displays and more permanent exhibits.

When visited in early September 2024, the gallery housed an exhibition by local artists. One of the works, by Juliette Currams, was titled Women not Witches, with the description:

“A reflection on the representation of women who were convicted of witchcraft in the 17th and 18th Century and an acknowledgement that they were just women who were different in some way and were unable to speak for themselves or engage in any kind of fair judicial process. Represented in charcoal and watercolour on paper. Then burnt and broken, as were the women in life, to extract false confessions.”

From the Material Matters exhibition at NCVC: Women not Witches by Juliette Currums

carved stones gallery

Two major Pictish stones [2], both highly weathered, one defaced but still magnificent, are now displayed with several other carved stones in a gallery on the ground floor. They are there for all to see, safe from further damage that over the centuries removed or obscured some of the carving.

Images above: Gallery displaying a range of carved stones, notably the Skinnet Stone and the Ulbster Stone (left) with examples from the Ulbster of the Salmon, the Pictish Beast and the Crescent and V rod. Images below: the Skinnet stone .

Both were found at churches in Caithness. The Ulbster is dated to the 9th century, the Skinnet to the late 9th or 10th century. They had been used in recent centuries as building material or grave slab. Their value was not appreciated and both suffered.

Today, Pictish carved stones are highly valued by historians, artists and carvers, and by people in general who can wonder at  their construction and the meaning of the carved symbols. A replica of the Skinnet is being carved by a stone mason for display outdoors on the Northern Pilgrim’s Way (see below).

Robert Dick | botanist

A room in one of the upper floors tells of the life and legacy of the self-taught naturalist Robert Dick [3]. From his base in Thurso, where he worked as a baker, he explored the coast and countryside, noting the geology, the plants, including mosses and ferns, and invertebrates such as molluscs and insects.  He collected and classified many specimens.

He discovered fossils of an extinct fish Microbrachius dicki, named after him, which is the earliest vertebrate to reproduce by internal fertilisation (rather than by eggs laid outside the body). 

His work was recognised and praised by Hugh Miller and a range of academic scientists, but was little appreciated by local people, at least not before he died on 24 December 1866.

His collections of fossils had to be sold in later life and those of insects and shells are lost. The task of preserving his 3000 herbarium specimens, many now damaged, has begun with funding from museum groups and charitable trusts [4]. Examples are on display at the NCVC. 

The exhibition on Robert Dick, including information on his life, the task of restoring and curating his collection, and specimens on display under glass and in cabinets (www.livingfield.c0.uk).

Heritage evolving

Interest and activity in the archaeology, history and nature of Caithness continues to grow, dispelling the perception of some early writers of the place as only a bleak, peaty wilderness. 

The land and people around Thurso have been linked for millenia to other parts of Scotland and to a much wider world. Hundreds of years ago the country was traversed by pilgrimmage routes between the Christian centres of Tain to the south and the Orkney to the north. In recent years these routes have been mapped, opened and re-marked by the Northern Pilgrims’ Way Group [5]. 

The Group has commissioned Dave McGovern of Monikie Rock Art to carve a replica of the Skinnet Stone to be erected on one of the routes [6]. The original was made from sandstone, but no local quarries have survived that could supply similar material. So the slab for the replica was sourced from south of Hadrian’s Wall. Weathering had obscured the detail of the original in parts but careful examination of the stone revealed the shapes of two hippocamps (upper body horse, lower body fish). 

Many great developments therefore in and around Thurso – heritage alive.

Author/contact for this page: geoff.squire@hutton.ac.uk or geoff.squire@outlook.com

Sources | Links

[1] North Coast Visitor Centre at Highlife Highland.

[2] Ulbster and Skinnet Stones: information and photographs at the Canmore web site – Ulbster and Skinnet.

[3] Robert Dick botanist, brief notes: Undiscovered Scotland and Electric Scotland. Biography: Smiles, Samuel (1879) Robert Dick, baker, of Thurso, geologist and botanist. Available free online at several sites including Biodiversity Heritage Library, and Internet Archive (search author). And an update in a scientific journal: Saxon, J., Bramman, J., Campbell, N. Some New Material on Robert Dick, Baker of Thurso, Geologist and Botanist. Nature 210, 253 (1966). https://doi.org/10.1038/210253a0.

[4] Funding for the restoration of the Robert Dick Herbarium: Association of Independent Museums, Museums Galleries Scotland and the Gordon Fraser Charitable Trust. More on repair and conservation at this link to the Scottish Conservation Studio (scroll to see work on the Robert Dick collection).

[5] Northern Pilgrims’ Way. The Pictish Arts Society held an online event in October 2024 in which Jane Coll described progress with regenerating the Northern Pilgrims’ Way: www.northernpilgrimsway.co.uk. Book: Jane Coll (2022) In their footsteps – exploring a Northern Pilgrimage Way, Kindle Books (search the web for sellers).

[6] At the same event, Dave McGovern of Monikie Rock Art described constructing a replica of the Skinnet Stone. To follow progress with the carving, try their Instagram and Facebook pages. 

Where art meets science: Singapore

Note on a visit to the ArtScience Museum in Singapore. TeamLab’s mesmerising exhibition halls. Stunning architecture.  Lily pond.

The ticket desk warned adults that about 60% of the exhibits were for children. There was no need.  The exhibition spaces were mesmerising, children and adults alike absorbed in the shifting images and games.

It was like one of those busy open days at the Living Field garden: people marvelling at the diversity of life,  children quietly buzzing around the activities and all coming to appreciate that people and nature can coexist.

Concept and design of the building

The main exhibition halls were below ground, underneath the ‘palm’ and ‘fingers’ that are the visible part of the structure. The ‘palm’ appears supported only near the base. A lacing of struts extends throughout the  fingers.

The concept of the quite stunning building was explored in early sketches by Safdie Architects, viewable in the foyer [2]. One of the sketches is shown above left.

teamLab and Future World

The main permanent displays, given the name ‘Future World – where Art meets Science‘ are housed in the below-ground chambers.  They were made by teamLab,  founded in 2001 and comprising a group of ‘ultra-technologists’, bringing together ‘hundreds of innovative thought leaders from multiple technical and creative backgrounds’.

In first exhibition – Nature – people interact with the various streams of images projected onto, or rather part of, the walls and floor.

Photo of the exhibition panel. Click on the image to see a larger readable copy.

‘Water’ streams down the far wall and along the floor. The flow is deflected if a person moves close to the wall or stands on the floor. Butterflies emerge and flap round the walls. They disappear if touched. Incessant, low volume, musical sounds accompany the movements. You’d think they would soon grate, but they didn’t, even after an hour of wandering in the space.

The descriptive panels explain the purpose: people affect nature all the time; they are part of it, not distinct from it. They can destroy it but need it.

The photographs shown in the panel above – all from Nature –  are phone snaps taken in the available light. Excellent images of the exhibits can be viewed on teamLab’s web site [2].

Next on from the Nature exhibit are a series of rooms where visitors can move things around, sit at desks writing and making things, interact with moving images and (for the very young) play with brightly coloured balls. Crocodiles crawl across the floor. They know you’re there!

Leaving the darkened halls, the visitor emerges into  the central shaft, a great space with a pond at the bottom and open to the sun and rain at the top, connecting inside to outside.

Outside the Museum – the lily pond

Immediately beneath the ‘palm’ on three sides is a pond whose surface is almost covered with lily leaves. The pond is raised above the surrounding walkways, so that people can kneel on the bounding wall and peer into the water.  The pond lies above the underground display halls and is said to filter light down through their ceilings.

The pond extends some way out towards the Bay. The cluster of tall buildings at the city’s financial sector can appear as if they are on a level with the pond.

To the right of the financial sector, directly by the Bay but too small to see from here, is the Merlion that continually spouts its stream of water (top panel, upper-right).

As in most other parts of Singapore’s centre, the standard of plant-culture is very high. The lily pond is made to look like it takes care of itself, but there must be a continual pruning and removal of dead material and maintenance of an ideal nutrient balance in the water.

Did Art meet Science?

In the Living Field’s work with artists, the starting point is usually some topic of environmental or agricultural science – field systems, population dynamics, the structure and functioning of roots, plant metabolites and so on. The artist bends scientific knowledge and sometimes the scientific process, bringing together things that could not possibly coexist or would at least be normally far apart in time or distance.

A similar process underpins the construction of the Future World exhibitions. They do this to a degree subliminally, through the senses. It’s the impressions that last, rather than anything strictly logical. There’s more on one of the exhibits at the next post Real time virtual field –  Tashbunosho rice.

The Museum is well supported by Singaporeans. Like the V&A Museum in Dundee, it must be a source of great local pride.

Sources, references, links

What’s On!

[1] ArtScience Museum at Singapore – general information, ‘what’s on’, etc.

[2] Designed by Moshe Safdie – link to the ArtScience Museum at Safdie Architects.

[3] teamLab – perhaps start with www.teamlab.art/concept.  See also interviews and comment at Indesignlive, e.g. 5 minutes with teamLab and coverage of their Tokyo exhibits at New Digital Art Museum in Tokyo.

[4] Future World – where art meets science – link to see more on this permanent exhibition at the ArtScience Museum Singapore.

Author/contact: geoff.squire@hutton.ac.uk / geoff.squire@outlook.com, visited October 2018